Southern soul singer Parson James rides the R&B train with his debut EP, The Temple.
Born in South Carolina, James, who is now based out of Brooklyn, laces his soul vibe with churchy choruses and pop friendly dance beats.
But first the voice itself: James is in a class with Texas soulman Leon Bridges. Both singers sound as if they’ve skipped 50 years to reconnect with the golden age of Stax Volt, Atlantic Records and Motown.
There’s lineage there and James tempers this with the pop textures provided by Swedish producer Elof Loelv (Rhianna).
The payoff is a traditional leaning collection of songs that are marked by big beat dance grooves and a hint of gospel fervour. James and gang tweak the songs for some subtle dance action and the result is a very “up” record with a warm congregational spirit, as heard on Waiting Game.
Producer Loelv doesn’t tamper too much with James’ songs and arrangements, just adding in key textural accompaniment to songs such as Stole the Show (previously released with Norwegian DJ/producer Kygo). The piano-based character of James’ music reacts dramatically to this treatment and many stirring moments are achieved.
The Temple is a quick hit of familiarity and sounds like a record dimly remembered but not quite identified. It’s melodic and friendly nature belie deep subject matter.
James’ hook-driven phrasing and rich tone mark natural talent and mature taste and his traditionally informed songs merge with modern sonics to make some dramatic music.
– Dean Gordon-Smith is a local musician who reviews the latest music releases for The Morning Star every Friday.
