Quartom performerd to acclaim for the North Okanagan Community Concert Association at the Vernon and District Performing Arts Centre Oct. 27. (Photo submitted)

Quartom performerd to acclaim for the North Okanagan Community Concert Association at the Vernon and District Performing Arts Centre Oct. 27. (Photo submitted)

Dynamic Montreal vocal quartet delivers high octane evening in Vernon

Critic Jim Leonard shines a light on NOCCA opening performance featuring Quartom

Jim Leonard

Special to the Morning Star

NOCCA’s gala concert evening began with the stunning violin solos of 13-year-old child prodigy Marcus Coetzee, who began playing the violin at age four.

A student of Bev Martens since 2014, Coetzee plays in the Okanagan Youth Symphony. He was ably accompanied by local concert pianist Alex MacArthur. Apparently, he and Coetzee only rehearsed together for one hour. Coetzee played two selections; the titles of which I obtained from MacArthur. The first was Souvenir de Saraste by William Potstock (1872-1948) and Czardas by Vittorio Monti (1868-1922) They were both brilliantly played with flawless technique and intonation.

Now to the main event: let me start by saying that the U.K. has the “King’s Singers” but we have “Quartom” — a men’s vocal quartet formed in Montréal in 2008. The name Quartom comes from the French “quatuor d’hommes” meaning men’s vocal quartet.

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Their program was sung a cappella, without any pitch device. At least one member with perfect pitch was giving the others the tonality which helped the flow of the program. It consisted of mostly familiar opera and vocal solo music arranged by the members. One exception was an arrangement by Davis, Dixon and Williams of Duke of Earl – written and performed by Gene Chandler in 1961. The other was Mrs. Robinson (from the movie “The Graduate”) by Simon and Garfunkel. Both selections, like many of the others, were performed with hilarious choreography and/or hand gestures and props.

Other highlights were an improvised wedding scene between the bass and baritone, complete with bridal bouquet and veil, while the quartet sang Wagner’s wedding processional in German; and Georg Friederich Handel’s Laschia ch’io pianga from his opera Rinaldo. The group used their incredible control to perform this piece in partial sotto voce (shadow voice) to great effect.

They ended the evening with an encore: a short witty song about American youth coming to Quebec to party, because of the lower drinking age there. That was the proverbial “cherry on top of the sundae.”

The next concert will be Trio D’Argento Nov. 29 at 7:30 pm.


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